August 27, 2008

Marcy Mae Spills the Beans [part 3]

It began with a trickle, a slight pitter-patter on the window panes of the Easy. By 12:00 noon the rain had surmounted to near-torrential downpour. Tina said she was thankful that there wasn't any hail, but all the same, it sounded like hell out there. Jack, helplessly cornered by orders of hot chocolate and iced tea, made note of the weather--to the employees of the Easy, it was easily accepted that, until the weather bit back, the flow of customers would be virtually non-existant.
However, there were customers present who still needed their re-fills, and some of the lot hadn't even been waited on yet. "You know, you could at least try." Chris' voice rang mockingly through his head. True, Jack hadn't been the best of waiters, yet it almost seemed as though he had gained some respect because of this; it was his first day on the job.

-----

The rain continues.
Jack pans once more over his customers, the audience waiting for the slip, for the chance they might get to hurl their tomato. Of course, he was a bit worried on his first day; and although he knew that these patrons weren't exacting his every move, the rain didn't help. The rain changed Jack. It did. It was a claustrophobic sensation, the walls closing in. He knew this was the calm (and he should have taken it likewise), that there would be nothing new coming his way, a significant depletion in the customer walk-in rate, until it cleared, yet he felt stuck--tied down to his customers and showing them his errors.
Still in the diner was Marcy, who had been there since 11:00; Earl, who entered just before the trickle; a couple unknown to Jack; a group of friends, men; lastly, an older lady--brunette. Ryan stood erect, tall, next to the group of guys, pen in hand, seemingly annoyed by their lackadaisical effort on choosing what to eat. Jack could almost hear him thinking, "Are they even paying for their coffee?". The kitchen was noisy, but with social balderdash, not the sizzling griddle or clamber of pans.
Mr. Frank had gone away in quite the discreet manner. It was right as Tina began her quiet chatter to Jack that Frank stepped out. As the matter of fact, it was nearly right as he exited the Easy that the rain started. He left without a trace, and Jack had been curious in the kitchen--"Where's Mr. Frank?" he asked as the cooks looked up, their faces exclaiming the question of why are you so curious?
Jack realized it was none of his business but thought he would make it his business before long.
Between the time of Tina's testimonial and the rainstorm, Jack had been toying with the idea of Bomb Squad Frank, trying to decide who to share the gossip with. It had just been shown that the cooks were uninterested, even frowning at Jack's interest. It figured to be the same with all other employees excluding Tina. Therefore, tickled with curiosity, Jack began his step toward Tina. She was idle behind the cash register.
"Tina," he initiated, with novice nervousness.
"Yea, sweetie?""
"Mr. Frank--it's about Mr. Frank: how come no one who works here's ever talked to him. Well, you know what I mean. How is it no one's really said much of anything to him?--well, of course except for his order and the little things."
Through all of this Tina was silent, devotedly attented to the Jack in front of her; she had taken the glasses from the bridge of her nose and let them fall to her bust, hanging on the cords that held them to her neck.
"Ya know, I really can't say--Have you ever tried it? I mean, really try to say something to him. You always get this feeling inside, like all the things you knew how to say had dried up in a desert."
Jack took this insight; a type of note-to-self. He glanced back to the corner booth, empty, and felt parched already. Before he could think any longer, the budding waiter inside of him raised this question: "Why Jack, if you're so thirsty, what can you say of your customers?" He looked to Marcy, the one he was to be attending. Yea, it looked like she could use another cup of joe, but there was more. Marcy looked lonely; she looked as if she emanated loneliness in a radius around her. So much so that Jack was a bit worried to walk over and be caught in her net of gloom.
She was still his to look after, so he grabbed the coffee pot. "Who knows," he thought delightedly to himself, "maybe a cup of coffee is just what she needs." Jack liked to think of himself as an uplifting waiter.
Marcy looked up now, cold eyes, and Jack poured down the warmth. He snatched a vacant chair and sat with her, across from her.
"Marcy. Don't mind if I sit?" Jack started.
"That's fine, Jack. Looks pretty easy now. The rain is coming down and it don't bother you--no more customers for a bit."
Just as she said this, the door swung open and the little bell sounded. It was Gabe, wiping himself down and discarding a wet newspaper into the trash bin. Jack heard the calling, and with a little dread, began to pick himself up from the comfort of conversation.
Ryan reassures "I got it," as he passes away from the group of guys, still indecisive on their order. Ryan may not seem enthusiastic about his job, but performance-wise he's considered the top, even beating out oldie Tina. It's why he's head waiter.
Relieved, Jack continued:
"Saved." A pause, while Jack observes Marcy, who drinks her fresh coffee down. Soothing. "So what's eating you? You look on the sad side."
"Oh, it's nothing. It's the rain." She answered back immediately, but with discomfort. Now she only stared down at her mug and swished it around.
"Maybe some food. You think maybe that'll cheer you up?"
"No, I'm not hungry."
Conversation had halted, had been halting. Jack realized that it wasn't easy to talk to unhappy customers. He began searching his head for topics of interest, unable to pin anything that seemed to be a conversation stimulator. How he had forgotten! Mr. Frank! Jack could easily tell her about Bomb Squad Frank. And so it started, it spilled out:
"You know Mr. Frank, right? Corner booth, weird fella. I heard some pretty crazy stuff about him."
Marcy was delighted, interested. Jack had won.
"Yea, Frank." said Marcy with a smile.
"Yea, I heard he's ex-bomb squad; you know, like counter-terrorist, defusal type." Marcy's smile faded at this. Jack was making an effort to keep her interest: "Story goes, his team is killed in an explosion and he's the only one left...Yea, no kidding. Like, the guilt has to be overwhelming. It's why he's so quiet and kept to himself."
Marcy had been in a type of frown for a minute or so. Was she tearing? Her face and eyes were red and warm. After a pause she says:
"That's not true."
This shooed Jack; uncomfortable, unwanted. "Well that's what Tina told me." Awkward silence. Jack looked around, unable to retain eye contact with Marcy who was looking laxly downward.
The rain continues.
Jack had an idea. A smirk grew on his mouth, and he looked to Marcy; half-inspired, half-curious--he tries once more.
"Ok, ok; Tina is known to gossip, I guess. Right? I mean, she's old. Wives-tales and whatnot." Now more serious--"I'm sorry. He's not who I think. But apparently you've got some kind of opinion on him...who is Frank?"
She sips her coffee and lets it drink down. She says to Jack confidently, "Frank is a friend."
"So you know him? Personally?" Jack asked almost instantaneously.
"No," Mary corrected, "no, not personally; look, it's a long story--"
"That's fine, I'm not going anywhere."
"It's complicated.."
Marcy felt downtrodden, wanting to explain her view of Mr. Frank while at the same time knowing she didn't want Jack to be mixed up in this all. She stirred, emotionally. Jack saw that she wasn't going to take this any further and stepped in thusly--
"Marcy, just tell me. I know it sounds crazy, but--if I could only make sense of this feeling you would--it's an itch; one that I can't scratch because I can't reach it. And even if I could, I wouldn't know where to start scratching because I don't know who Mr. Frank is."
"Why is he so important to you!?" Marcy calls back surprised at a seemingly overt dramatized plea.
"Curiosity, I guess." Jack began, "It's just bugging me. So far, no one who works here can give me an answer that isn't contradicted thereafter." By now, he had already filled a mug with coffee for himself. It was starting, Frank was unraveling. "Yeah, and why do I care so much? I don't know," a sip of coffee, "maybe it's because no one here does. How can someone so regular go unnoticed?"
Marcy retorted, "Maybe that's what he wants: to be unnoticed. And maybe the people just respect that."
It was here that Ryan butted in. In the midst of orders and re-fills, he had just enough opening to ask, "What's going on over here?"
Jack returned, "I'll get back to work in a sec, Ryan. Just hold on--"

"Gabe says the rain'll stop soon," Ryan cut in, "I can hold until then." He could hold until then. Eyeing down an empty mug, his calling, he leaves them to their conversation.

Continuing: Jack inquires casually, "Who is he? Marcy, tell me who he is."

"Ok," she agreed, "I'll tell you how I first noticed him. Rather, how he first noticed me."

"It was about 3 months ago, when Tim and I broke up. He dumped me, of course. We had been dating for a year. You know how it was, Jack, don't you? I was a wreck. I'd come here everyday and drink my coffee alone. I was definitely not who I am now...Well, I guess I still do that today," she chuckled, "but you know what I mean. I was a loner."

"It was late and some hipster-freak decided to play that Miles Davis album ya'll have on the juke. Bye Bye Blackbird. I couldn't stand it. Don't get me wrong, I love Miles, especially his cool blues. But when that song started I couldn't bear it. I darted outside there on the bench and cried. Right out there. You see? Right on that bench out there I cried."

"So it just happened to go that this was about the time Frank would normally go out for his smoke. He did come out and he saw me sobbing over there and he sat by me. Jack, I would be lying if I told you I hadn't been afraid. I was scared. Frank is a powerful man; I don't know if you've noticed, but he's got this aura about him. I can't explain..It was dark, remember? And Frank lit up sure enough, giving off just enough light to show his face; that face of his..it's his mouth, the length of it." Marcy shudders, "Yea, he was creepy in the dim light of a cigarette just started."

"He looked at me and says to me just like this: 'Boy troubles? He quit you? You don't know how to handle yourself, don't have anything to do because he isn't there to tell you to do it?' I was just stone quiet; I had stopped crying, just gazing there at him. He says to me, 'You're your own person now, thanks to him; really, thanks to him.'"

"And after that all he stood up and stomped his cigarette out and left me."

Marcy felt like she had just relieved a massive barbell from her shoulders; she felt better from letting it be told. Jack was too caught up with her story that it took him a second to realize that she was done speaking. Thirsty for more, he started up the conversation again:

"And what happened next? Did you talk to him. He talk to you? I mean, you're the only person I know of that Mr. Frank's ever said anything to. At least more than 'sunny-side up.'"

"There's more to tell," Marcy told him with some uninterest, "but it's really nothing much." She could see that Jack needed something more, some closure to the story, so she decided to tell him the rest--all of it.

"Ok. Well, after that I went home, and all I can remember is that it was really late. I fell straight asleep and I dreamt. I dreamt an epiphany. It was like--it's hard to explain. I felt wonderful, and i could feel the wind on my face, as if I were flying. But, you see, the catch is: I couldn't see anything. There weren't any pictures in this dream, just pleasure. That's all I remembered, anyhow, when I woke up."

"The next morning I come here, to the Easy, to talk to Frank. I thanked him, and told him that I appreciated what he said the night before. I offered to buy him coffee, but all he said was, 'No thanks.' At least he listened. Frank's a good listener; that's what I always thought about him. Anyways, I invited him to dinner at my house as a gift of appreciation. I was going to make spaghetti. Frank just wiped his mouth and shook his head and I knew it was rejection. It hurt. He looked at me with a face I have never seen on him before. It was like disapproval beaming straight at me."

"That went on for a bit until he lifted his mug and said, 'When people contend for their liberty, they seldom get anything for their victory but new masters.' He drank and put his mug down with some force; I remember a sip of coffee spilled out when the mug met the table. After that he didn't look at me. He just payed out 10 bucks on the table and got straight up and left."

The rain stops falling.

Jack is squelched. He has only nothing to say and everything to think about. And Marcy is tired and relieved in the same instance.

She concludes: "But, Jack, I still don't get it. That quote--i never really figured out who said it, but I knew it wasn't his--it didn't matter. I'm not that kind of person; I didn't 'contend' for Tim to leave me. I want someone. I need to be a pet. That's just..me."

Jack learned. Marcy dug through her purse and retrieved an envelope, pink. It was sealed and, in fine cursive writing, had Frank's name written on it. She wanted Jack to deliver it.

August 21, 2008

A Mysterious Name [part 2]

"I'm sorry... could you repeat that?" He was struggling on his first day. Some might say that "struggling" was a bit of an understatement. He was starting to weigh the pros and cons of being a waiter vs. being a cook. He flashed back to when he was trying not to burn pancakes and trying to flip eggs so the yolks were still intact. It was not pretty. He decided that he was still better off.

"I wanted some hot chocolate, an order of pancakes, and a side of hashbrowns." The lady he was tending to was slightly annoyed now, but she was polite and punctual.

He scribbled down her words frantically, "...hashbrowns..." and he slashed his pen across the pad, underlining it. "Alright, I'll be right back with your hot chocolate." He smiled and walked back behind the front counter. He ripped off the paper on the pad. Instead of attempting the diner lingo, he just clipped the paper up in the opening to the kitchen. He poked his head through the window, "Hey guys I have pancakes and hashbrowns. Thanks."

Chris came up next to him, "Fry two and let the sun shine. A short stack, too." He looked at Jack with an empty stare, "You know, you could at least try." He walked away back towards his section to tend to more customers.

Jack stood there, leaning against the counter for a moment, slightly discouraged. The Easy was just a job to get him through right now.
(man I don't need this right now)
He stared outside the window for a moment. The sun was just above the horizon. Orange stretched across the sky, a few clouds hung, suspended in time.

He started to make hot chocolate, scooping chocolate bits into a thick, brown mug. His eyes wandered to the back of the diner, the corner booth to be exact. His mind wandered...

Mr. Frank... huh... Who is he? He doesn't talk.. doesn't eat with anyone, at least, no one i've seen.. no ring on his left hand, even. Was he married before? Can a guy really live alone like that? Ok. So he seems semi-normal. He eats at the diner! Ok, scratch that, he's a freaking freak of nature. Hm. I guess I don't really know, do I? I wonder if anyone here knows...

"You're making it wrong, ya'know." A voice interrupted Jack's thoughts, bringing him back to reality. Tina, another waitress, was standing next to him now, eyeing him with distaste. She's been working at The Easy for many years now; and she really knows the ins and outs of the place. In her old age, her wisdom was boundless. When she spoke, she would make you feel as if you were nothing; she really is better than you, though. Her white hair was frizzled. Jack just supposed she didn't care much about her looks anymore, but that wasn't really the case.

She once said, "All these characters here," she would begin all of her stories like this, "they're all the same. Once enough of them come through, you'll hear it all, ya'see? Those truckers come by and they'll be willin' to talk to anyone. They'll tell you their stories of being alone for so many hours, all their wives, maybe even some girls they pick up on the road. They don't care who they talk to, they just gotta talk.
Oh yes'suh, you'll get all diff'rent sorts of people down in here. I like it when those teenagers come by. They make me feel young again. They come in here and have their little emotional troubles.. oh boy, that makes me feel young again. You know in my high school years, I was quite a catch. You might not look at me and think that now, but that's what happens with old age, son. I had my share of boys back and in the day. You, Jackie, you getting your share of young girls?"

Tina had been teasing Jack since his first day on the job. He didn't deal with awkward questions that well, and Tina reaped the benefits of his discomfort. Today was no different.

"You're making it wrong, ya'know." Tina walked up to Jack as he was boiling some milk, her smoke-aged voice flowed into his ears.

"Wah?" Jack looked down at the cup, unaware of what he was talking about.

"There's too much chocolate, ya'see? It'll make it too bitter." Tina took the cup from Jack's hands and took some of the chocolate out. "I'll do it for you, honey."

"Uh.. ok.. thanks Tina." Jack was slightly relieved. He actually had no idea what he was doing. He had only watched Chris make hot chocolate once, and the only thing he learned from that one time was that he needed to put some whipped cream on top. "Hey Tina.. You've been working here for a while now, right?"

"Mmhmm, that's right, suh." She nodded and wiped away some chocolate she spilled on the counter with a rag. "Why do ya ask, Jackie-Boy?"

"Well that man, Mr. Frank, who is he?" He moved around to the other side of the counter and sat down at a stool, fiddling with a napkin dispenser.

Tina smiled. "Mr. Frank.. he's a queer character, isn't he? Not too much is known about him, but this is what I heard." She leaned on one elbow over the counter, stirring the milk every once in a while. "He came here about a year ago. Just walked into The Easy one morning, sat down, and ordered his meal. He always orders the same thing for breakfast. It's his usual: two eggs, sunny-side up; a poppyseed bagel with apricot jelly; and coffee, black. He never gets anything else. Every time he comes here.. the same ol' thing. Sometime after he eats here, he has a smoke outside. Every time I see him out there, I say to myself that I'll join him. I haven't done that though, the look in his eyes is just too lonely. Gives me chills sometimes. Well, anyway, when he first came here I believe I heard he used to be on some bomb squad. Apparently his buddies were disarming a bomb and it exploded on them. He wasn't in the room though, and he survived the blast. Maybe he got knocked up in the head a bit. Well since then, he hasn't been the same. Not at all. He just went nuts after that, prolly from the guilt. He divorced his wife, she was bein' beat or something, and he came to this lil' town... dunno too much more about him."

A voice rang out, "Uh... Jack? I had a hot chocolate?"

"Oh! Right.. uh.." He looked to Tina nervously.

"Oh don't worry, Honey. I'll get it right to ya." She told the girl. She turned back to the hot chocolate, "Well Jack, that's just what I heard, ya'see?"

August 19, 2008

Introduction--The Easy [part 1]

FADE IN:

INT. THE EASY - MORNING

This coffeehouse/diner is organized like any other--equipped with a bar of wooden craft, the table top (black), and seats each a worn maroon cushion holstered by a steel stool. The tables are like anything common to restaurants; movable, too, as are the wooden chairs. The booths' seating cushions match the maroon of the stools. Jukebox. Everything--the walls, tiled floor, and ceiling--is a variety of dark, warm colors. A hallway leads to single bathrooms, both for men and women. The kitchen looms behind the bar, peering out into the dining area through fogged windows and openings.

All is quiet.

MR. FRANK enters the front (glass) door labeled PUSH and a small bell sounds, notifying the workers of another mouth to feed--more accurately, the first of many mouths, because this diner has just woken up; the start of another business day.

Mr. Frank is middle-aged (late 40's, that is) with dark hair and eyes. He wears glasses and a shaven face, his hair short and nicely kept, combed to the side. He has a wide mouth that gives him a serpentine/frog-like appearance, if caricatured. His figure: tall and just below average build. His aura: curious, strange.

Frank walks towards the back and pauses near the corner booth, his booth, which is currently being wiped clean by RYAN, dark haired, bearded, tall waiter; looks sleepy and lax, age 22. Frank stops short and regards the empty booth.

FRANK

May I sit?

RYAN

(trying to sound chipper through deadpan speech)

It's all yours. Be right back with some coffee, Mr. Frank.

The clock reads 7:03 AM

The clock reads 10:21 AM; Racy, lively music plays from the jukebox.

QUICK CONCISE SHOTS of various angle--food being prepared, eggs cracking, sizzling on the grill; sandwiches being assembled; tables wiped clean; coffee pot snatched from the brewer.

Ryan paces down the room, booths on either side. He caries a plate in his right hand, coffee pot in the left; the camera dolly glides behind him. He serves and gestures to pour coffee.

DOLLY IN to TINA, who rushes to the kitchen side. Freshly cooked breakfast is brought out for her to run to the customer.

CHEF

Order up!

Camera freezes right as Tina grabs the next plate in line--music stops abruptly.

JACK (narration)

This is 'The Easy' in crunch time.

And the young lady you see in the left corner of the frame is Tina, but she's not the head waiter.

CUT TO freeze frame of Ryan pouring coffee for a patron.

JACK (narr.)

Ryan. (a beat)

Ryan is the head waiter. He's the one that hooked me up with my new job.

CUT TO freeze frame of Jack (short brown hair, age 20, apron and cap with 'the easy' logo) frying eggs with difficulty showing in his facial expression.

JACK (narr.)

You see, that's me. Working my old job. Yea...not a good time.

The freeze frame animates and Jack is trying very carefully to remove the fried eggs from the grill via spatula.

Ryan enters the frame, unattentive to Jack's lack of skill; he has a pad and pen in hand and reads out the next order:

RYAN

Alright...I need an Irish turkey, paint it red, and give it one from the alps. A sinker and some moo juice. All hot in a billiard, extra yum yum. And let it walk.

Jack finally wrestles the eggs into the plate. In lieu of his accomplishment, he flips his hat off onto the food station (countertop) and catches his breath. He looks up to Ryan, not understanding.

Jack

(simply) What?

RYAN

(calmly, deadpan) Look, Jack, I don't come back here to listen to any fuss, right? If you got a problem with moo juice try being a waiter--

FREEZE FRAME

JACK (narr.)

So I became a waiter. Plus--

Frame animates once more, skipping a bit, to show that the clip is played from a bit further in the conversation.

RYAN

We got enough cooks. You get tips waiting.

EXT. THE EASY - MORNING

The outside; a parking lot and a tall, neon light sign exclaiming, "the EASY" in magnificent artistry. Nearest to the diner are a few benches and ashtrays.

A lady walking across the parking lot makes an entry to the Easy.

INT. THE EASY - MORNING

Jack is leaning against the bar, employee side. The lady quickly sits on a stool and sets her purse on the bar. She is MARCY; blond, slim and pretty, probably an age of late 20's, but who can tell with women? She looks kind.

Servers and waiters meander through the diner, calls are made from chefs, and people are chattering. Remember, this is crunch time.

Marcy begins with JACK, smiling a bit.

MARCY

Hey.

JACK

Hey, Marcy; will it be the usual?

MARCY

Oh no, I'm just up here to wish you luck on your first day.

JACK

That's good. Because I'm not so sure I'd know just what your usual is.

(narr.) yea, it is my first day as waiter.

MARCY

Well it's an Adam and Eve on a raft, don't forget the hashbrowns. But no, today I'll just have a cup of coffee. (a beat) Initiation right? A straight 24 hours on the waitstaff.

JACK

(nodding) Bummer.

MARCY

Things are going fine so far? Haven't dropped any food yet, have you?

JACK

(nervously) Oh, ha ha. No no, Mrs. Marcy.

MARCY

Well. (she looks to the back of the diner) I'll be down there.

She removes herself from the bar to leave the frame, finding a place to sit towards the back of the diner.

Jack makes his way to the coffee pot, changing out filters, starting a new batch, simply tempering with the stuff. The chatter and noise begins to fade out. Jack brings the pot and a mug to Marcy

JACK (narr.)

Marcy was my first conversation as a waiter. I'd been keeping track of my 'firsts' of the day: first order, first tip. I'd been tallying since the day began the things I liked about the Easy, tallying since 7:03 AM. (beat) When Mr. Frank started us off, as usual.

INT. THE EASY, KITCHEN - CLOSING TIME

It is clear that the room is lit artificially, the night is dark. Employees are cleaning the kitchen countertops.

JACK (narr.)

For me, there was always an air of mystery surrounding Mr. Frank. I have to admit, if it wasn't for this conversation at closing one night I don't think I would have ever noticed him.

Ryan is chatting with another employee, one of the chefs, CHEF.

RYAN

(almost complaining) So he orders the same thing, again. I've waited on him for at least a year now. And he never speaks unless he's ordering. Weird--just a weird dude.

One of the VARIANT WAITSTAFF begins to walk into the conversation, starting a circle of gossip.

VARIANT WAITSTAFF

Nah, man. I heard he served in 'Nam, man. Shell-shocked.

RYAN

(mockingly) 'Nam? Vietnam? Are you f*cking kidding me? He ain't that old, anyone here can tell that.

Jack looks up from buffing the countertops.

Jack

Who was in 'Nam?

RYAN

No one was in 'Nam. Except maybe EARL.

JACK

Well, who are you talking about?

CHEF

Mr. Frank

VARIANT WAITSTAFF

The creepy dude who's always in the corner booth. You know, "man of few words?"

JACK (narr.)

I hadn't known. Well I had, but I hadn't. I hadn't thought about it. Mr. Frank escaped my attention just as he had wanted to.

Another voice speaks out in the background.

EMPLOYEE (O.S)

I think he's deaf.

SLOWLY FADE OUT

JACK (narr.)

After that, Mr. Frank never really seemed the same to me.

FADE TO BLACK

August 17, 2008

The Project.

I am really looking foward to this little project. I'm curious as to how our minds will clash, but more importantly, how our minds will make the story flow together and just.. work.

This idea started out with 1Lee as a short movie. I'm glad he accepted my idea of working on this together as a story as opposed to a movie. Of course, in the way that we write the story, it can be easily be turned into a movie. Keep that in mind while you are reading it.

My goal is to try to write in a way so that you can envision the scene how I want you to see it. It's a challenge, and I hope I'm doing it in a good way.. concise and not totally retarded. You be the judge. If you read my posts [I can't say this for 1Lee; I am not sure how he would feel about it] brutally criticize all you can to make it better. Ok well only do that if you feel like it.

But not only is this continuing effort to improve my writing skills, it's also a way for me to see what it's like to collaborate with someone else for something that usually seems like a one person thing. Exploring, combining, and molding ideas into one cohesive story is what this is all about, and I'm excited about how it will turn out.

Will you ever really -talk- to the 'regular?' Will you really know who he is? Does anyone really know?

So read the Foreward to get to know the idea.. and read our story.

Foreword

The Boo Radley Syndrome (working title) is a collabrication between the two writers no_man and 1Lee.

The idea came from a discussion about freestyle writing as it pertains to two separate authors. This blog will feature a wide variety of...variety; id est, 1Lee may write in screenplay format** just as no_man may write in prose; each man can be expected to act as they would in their normal blog environment, however, any style is available for either writer. In accordance to stylistic differences, the best idea we came up with was to log out a story via blog (with entries for each author*), having each writer tell his story from a separate point of view. This is made possible by structurally arranging the story into small narratives that will amount to a full story, a frame story, if you will.

Wikipedia says--

A frame story (also frame tale, frame narrative, etc.) is a narrative technique whereby a main story is composed, at least in part, for the purpose of organizing a set of shorter stories, each of which is a story within a story

In order to better understand the frame story format, a brief pitch of the Boo Radley Syndrome is given:

A diner is frequented by a man, the 'regular', who carries with him a shroud of mystery. He speaks nothing more than his meal orders and keeps to himself; alternatively, he is generally left alone by patrons and employees.  When a new employee (main character) begins work at the diner, suspicion is formed around the 'regular'. The new employee begins to peice together the testimonials of patrons and employees, but when he realizes they don't add up he understands that this mystery may never be answered by secondhand citations. Our main character decides to confront the 'regular' and, once and for all, settle the fascinating mystery.

With this basic synopsis, it is possible for the two writers to switch between testimonials and characters, creating an easier way to change style with each individual patron and employee. 

Also, something i would like to touch: The 'regular'

He will be named, so hold your horses.

final words--

the project seems quite interesting; i'm very much excited to work with no_man, and i think it will be neat to see how the stories, coming from 2 different minds, will work together. i will say that it's each man's project equally; we are working half-and-half. additionally, we are both relaxed working together, and we are both on the same page, as it pertains to the project idea; we're on the same level.

I wanted a quote about luck here, but i couldn't find anything good. You see, this is the part where i wish myself luck; but here goes, with a quote i've used already.

"We'll keep our collective fingers crossed." --Chris Stevens

*each writer will be denoted in either the title of the entry or by the posting process of blogger

**the format used will be non-conventionial to normal screenplay format; as to be closer to the style of a prosaic short story, the screenplays will include much more description and underlying feelings; in short, more words.